Or why “Have Fun!” is the most important thing you’ll ever hear in the LibriVox fora. From a classic discussion of self-interest as applied to shared grazing-land: Therein is the tragedy. Each man is locked into a system that compels him to increase his herd without limit — in a world that is limited. ...

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This is all. ...

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Now, myself, I couldn’t make it across the lounge in stilettos, let alone out of the front door and onward. But the heroine of my newest audiobook, Sophie Farrier, can do exactly that, as travel writer and glamour puss extraordinaire. She loves her job, she loves her shopping (most particularly shoes) and … all ...

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I recorded this collection of short parables by Edith Wharton a few months ago, as a sound test for my latest recording booth. It’s just been catalogued and is now available for general listening: [audio:http://www.archive.org/download/short_story_049_1108_librivox/shortstory049_07_valleychildishthings_cs.mp3] (13:48) In the introduction to another of her short story collections, she wrote: “To a generation for whom everything ...

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My latest addition to the LibriVox catalogue (recorded a couple of months ago, but the collection took a while to be completed) — A More Ancient Mariner by Bliss Carman. It’s a sweet poem about the buccaneering ways of the honeybee, and it goes along with a lovely swinging rhyme. The general mood matches ...

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In between other projects, I rummaged around the LibriVox forum for something short and interesting to record … and ended up contributing a couple of chapters to Goldsmith’s Biography of Richard Nash, which has just been completed. Although this was a collaborative work, in the end only three of us contributed to it — ...

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So, I’ve recorded one book for Iambik Audio (the lengthy and wonderful Oh Pure and Radiant Heart, by Lydia Millet) and I have a second lined up, which I am genuinely very excited about. It’s a huge change from OPRH, different genre, totally different narration style, and likely a different audience. I’ve been doing ...

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Some ways I use to feel better about my recordings, when self-doubt sneaks in, or I discover I’ve plain voiced something very badly: I listen to someone miles better than me. For me, this works because my most loved voices are very calming, soothing ones, and really, nothing can be all that wrong in ...

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I just responded in the LibriVox fora to a general question about “how does everyone record and edit?” — and thought that it might be good to put that detail here, as well as some info about my technical set-up. There’s a lot to say, it turns out! For reference, I only record my ...

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I’ve been unable to record for more than a week, while a perfectly average-looking cold took out the best part of my voice and left me with an depressingly-unsultry growl. So, I’ve been grumping around the house being largely unproductive. A shining exception to this was putting together a web page to pop up ...

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