Now, myself, I couldn’t make it across the lounge in stilettos, let alone out of the front door and onward. But the heroine of my newest audiobook, Sophie Farrier, can do exactly that, as travel writer and glamour puss extraordinaire. She loves her job, she loves her shopping (most particularly shoes) and … all.
Read More →I recorded this collection of short parables by Edith Wharton a few months ago, as a sound test for my latest recording booth. It’s just been catalogued and is now available for general listening: [Audio clip: view full post to listen] (13:48) In the introduction to another of her short story collections, she wrote:.
Read More →So, I’ve recorded one book for Iambik Audio (the lengthy and wonderful Oh Pure and Radiant Heart, by Lydia Millet) and I have a second lined up, which I am genuinely very excited about. It’s a huge change from OPRH, different genre, totally different narration style, and likely a different audience. I’ve been doing.
Read More →It’s been a while, but I’ve got a new entry in the LibriVox catalogue besides short poetry readings. The History of Pompey the Little by Francis Coventry is a collaboratively-read canine saga, with a parade of interesting characters and wide range of social situations. I contributed three chapters and it seemed like the Dog.
Read More →My first release of the New Year – a chapter contributed to What Katy Did Next by Susan Coolidge. I nabbed the section on her visit to England, and although it made me a little cross in places (we Brits have NOT “forgotten” Jane Austen, and I’m not sure there’s ever been a time.
Read More →So, another volume from the histories of that fictitious country, Graustark, has been released. No strange accents snuck into this one (in a previous volume, an otherwise innocent-looking character came out of my mouth with a deep, gentle Transylvanian lilt, which oddly, wasn’t inappropriate, but was a huge surprise since I hadn’t planned it.
Read More →This month, I have catalogued a book, some collaborative contributions, and — finally, more pirates! I’ve been working on my solo recording of Anna Sewell’s “Autobiography of a Horse”, Black Beauty, all summer, as its short chapters and positive attitude were a pleasant change from the intense modern non-fiction book I was recording for.
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