I just responded in the LibriVox fora to a general question about “how does everyone record and edit?” — and thought that it might be good to put that detail here, as well as some info about my technical set-up. There’s a lot to say, it turns out! For reference, I only record my.

LibriVox has completed an unabridged recording of Henry Gray’s Anatomy of the Human Body. It’ll take the keen student anatomist a little over 66 hours to go through once — and it only had one proof-listener through all five parts of the project, so there is at least one person in the world who’s.

There’ve been a few comments on an earlier post here, wishing that LibriVox would add a ratings system to its catalogue, so I thought I’d respond to them (and others, posted over time in the LibriVox forum). Firstly, it’s TRUE that there are some few recordings that are problematic for various reasons. Some have.

I’ve been kicking around thoughts on how best to organise the LibriVox catalogue in the future, especially when the new design is implemented. LibriVox is a collection of people who speak many languages, and who record public domain audiobooks in most of them. Currently, we organise by Category (out of Fiction, Poetry, Non-fiction, Dramatic.

So, LibriVox has been running for over four years, on a budget of $0 … everyone at LibriVox is a volunteer, reading, listening and supporting audiobook production for free, because they think it’s fun in some way. Behind the scenes, all the costs have been taken care of by a few individuals, along with.

My first release of the New Year – a chapter contributed to What Katy Did Next by Susan Coolidge. I nabbed the section on her visit to England, and although it made me a little cross in places (we Brits have NOT “forgotten” Jane Austen, and I’m not sure there’s ever been a time.